“But somewhere along the way, I started writing little songs with lyrics, and it only made sense that I sang them.” “I’d wanted to be a session guitar player,” he explains, calling in from his home in Vancouver’s Railtown. When Mother Mother formed in 2005, lead singer Ryan Guldemond was going to jazz school and living with his sister, Molly. Which is why it’s so goddamn fascinating that for the better part of 2020, the title was firmly held by a small, strange, delightfully freaky band from British Columbia. And-in a narrative that’s played out countless times over the past year-it wouldn’t have been possible without video-sharing platform TikTok, where the #mothermother hashtag boasts over half a billion views, and the number of videos made to their songs has entered the millions.Ī viral clip or dance will skyrocket any song to the top of global charts, so to be the most relevant artist on the biggest stage in the world is a position so prestigious that billion-dollar labels continue to battle it out for just a few fleeting days on the trending page. In November, the lyrics to their song Hayloft were the most-searched-for song lyrics in the United States and the second-most in the world. Over the past year, during the pandemic, the songs from Mother Mother’s two first albums, Touch Up and O My Heart, have racked up tens of millions of streams. There was only one caveat: the generation they were speaking to hadn’t been born yet. They were writing anthems for the underground, and they were doing it like almost no one else in the world. The band was Mother Mother, and their independently released music was nothing short of extraterrestrial-they pioneered a soundscape where androgynous vocals wailed over shrieking guitar riffs, and lyrics deftly wove together themes of death, sex, love and decay. Fifteen years ago, in the year 2005, a group of kids going to art school in Vancouver started writing the soundtrack to a generation-it just wasn’t their generation.
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